IM Imagine Museum
Comprehensive Survey of Contemporary Glass Art – 1960s to present
Featuring preeminent works from the American Studio Glass Movement and an extraordinary selection of contemporary glass sculptures from around the world. Imagine Museum has over 500 significant pieces of glass works on display from their 1500-piece collection. The artwork is dramatically displayed throughout the 48,000 square feet of gallery space.
The Museum hosts multiple events, tours and educational programs designed to inform, inspire and uplift all who visit. Interactive spatial computing opportunities (augmented reality and virtual reality) are part of the memorable visual experience offered. The gallery exhibitions change throughout the year to expose the viewer to new artists and new works from the collection.
IM’s elegant retail space is filled with every type of glass jewelry, glass keepsakes, children’s toys and art books. The Museum is open Tuesday through Sunday. All levels of Membership and engagement are welcomed.
Rental space is available for private parties, business meetings, small gatherings and family celebrations. For more information, go to: www.imaginemuseum.com.
BY MARVIN LIPOFSKY
7-PART SEAFORM SET
7-PART SEAFORM SET
BY DALE CHIHULY
A BRIEF HISTORY OF AMERICAN GLASS ART
The 1960s cultural world was marked by creative Americans making major statements worldwide.
While the world was listening to the rock and roll tunes of Elvis Presley, reading the words of J.D. Salinger, and standing in the architecture of Louis Kahn, the American Studio Glass Movement was quietly coming to life. The invention of the first studio glass furnace was introduced in 1962 by Harvey Littleton. He was a ceramic artist who understood the use of heat to make a natural material bend to an artist’s demands. He joined forces with a colleague, Dominick Labino, who presented a low-melting glass formula. Working together these two artists built the first furnace for melting glass designed to fit within an artist’s studio. This innovation allowed individual American artists to work with melted glass in the privacy of their own studios outside of the factory setting.
Earlier in 1961, Henry Geldzahler, a prominent contemporary art curator at The Metropolitan Museum of Art, added the work of an emerging American artist, Dale Chihuly to the museum’s collection. The unique quality of Dale Chihuly’s work was his medium, glass. At the time Henry’s comment was “despite its five-thousand-year history, glass becomes a fine-art medium only when universities established small glass blowing studios.”
In 1963, Harvey Littleton started the first glass graduate program at the University of Wisconsin in Madison. Soon after Chihuly received a degree from the same program and went on to study and lead the glass program at the Rhode Island School of Design. Marvin Lipofsky, another student from the Madison program established the same program at the University of California, Berkeley, California. The American artists who joined this early movement—Henry Halem, Fritz Driesbach, Mark Peiser, Joel Philip Myers, Howard BenTre, Richard Marquis—to name a few, continued to work and teach in this medium throughout the country in different ways and with different techniques.
From these early influential glass pioneers, American artists continue to work in new innovative ways, using the material and creating works of art not seen before. Imagine Museum’s collection is comprised of over 500 works from various collections; notably collectors Jean and Hilbert Sosin, Alfred Merritt, and Ralph and Eve Goldstein. Our goal with this exhibition is to tell the story of studio glass from its beginnings in the early 1960s, through to the present, and to share the significant advancements and contributions made by these American artists to the overall visual dialogue of the late 20th century and early 21st century. An art movement is defined by new ways of creating works of art as well as how it pioneers a path to make an enduring historical imprint on the world of art.