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2026 ARTIST

OF THE FUTURE

Imagine Museum proudly announces Martin Janecky as our 2026
Artist of the Future. He’s is a renowned Czech glass artist, widely recognized as one of the best glass sculptors working today. Born on February 29, 1980, in Liberec, Czech Republic, Janecky began his journey in glassmaking at the remarkably young age of 13, working at his father’s factory.

Martin Janecky

Early Life and Education

Janecký’s formal education in glassmaking began at the Glass School in Nový Bor, Czech Republic. After graduating, he expanded his skills and knowledge through experiences in various countries, including South Africa, Sweden, and the Netherlands.

 

Career Development

In 2003, Janecký made a pivotal trip to the United States, where he studied at the prestigious Pilchuck Glass School under the guidance of Richard Royal and William Morris. This experience proved to be transformative for his artistic development, particularly in mastering the technique of hot glass sculpting from within the bubble.

Janecký quickly gained recognition for his exceptional skill and innovative techniques. He became a highly sought-after instructor, teaching at renowned institutions worldwide, including:

  • The Studio of the Corning Museum of Glass
  • Pilchuck Glass School
  • Penland School of Craft
  • Australian National University in Canberra
  • University of Toyama

In 2019, Janecký established his own glass studio, Janecký Studio, in the heart of Prague, marking a significant milestone in his career.

Artistic Style and Techniques

Janecký is particularly known for his mastery of the “inside bubble sculpting” technique, which he learned from William Morris and subsequently perfected. This challenging method involves shaping hot glass bubbles from the inside, allowing Janecký to create highly realistic, life-sized sculptures with unprecedented levels of detail and precision.

His work often focuses on portraiture, creating intricate glass heads, figures, and skulls. Janecký draws inspiration from art history and ethnic masks, infusing his pieces with rich cultural and historical references.

 

Notable Works and Exhibitions

One of Janecký’s significant bodies of work is the “Día de Muertos” collection, inspired by his 2013 visit to Mexico. This series, which explores the iconography of the Mexican Day of the Dead, was created during his Artist-In-Residence program at The Studio of the Corning Museum of Glass in 2017. The collection was exhibited at the Heller Gallery in New York City in 2018.

Some of his notable pieces include:

  • “Head” (2014)
  • “Portrait of a Man” (2015 and 2018)
  • “La Palida, Día de Muertos” (2017)
  • “Studies of Hands” (2018)
  • “Thinker” (2019)
Martin Janecký’s unique ability to shape molten glass into aesthetically pleasing forms, combined with his extreme concentration and use of special tools, has established him as a virtuoso in the world of glass art. His contributions to the field, both as an artist and an instructor, continue to inspire and influence the global glass art community.

2025 ARTIST

OF THE FUTURE

Imagine Museum proudly announces Susan Gott as our 2025 Artist of the Future.
If you’ve been to Florida, you may have encountered Susan Gott’s artwork without realizing it. For over twenty-five years, Gott has been creating thought-provoking cast glass art steeped in ancient spirituality and myth.

Susan Gott

Born in Michigan, she grew up in Tennessee and Virginia not far from West Virginia, the home of Blenko Glass. “I remember going to Blenko as a child and watching the glassblowers. My parents had collections of Blenko glass,” Gott reminisced. Her father, an innkeeper, instilled in her a sense of business acumen that helps her run a successful studio.

She studied art in college, but as a painter. It wasn’t until later that two pivotal classes shifted her focus. The first was at Arrowmont School of Arts and Crafts, where she studied with Albinas Elskus, author of The Art of Painting on Glass. This turned her attention to stained glass, which she quickly embraced. The next was at Penland School of Craft, where she took hot glass classes with Paul Marioni and Stephen Dee Edwards. She recalled, “The connection [to glass] was strong, deep, and immediate because I’d always been attracted to that quality of light as a painter doing watercolors.”

After receiving her master’s from Kent State University and studying at Pilchuck Glass School, Gott settled in Florida. She chose Tampa because of the growing glass community in the area, which has since come to be known as The Glass Coast. Armed with a good understanding of refractory materials and design, she laid out initial studio plans on graph paper. “I had a lot of great studio assistants along the way who helped me build the equipment, and I oversaw all of that,” she said. “The architect that was involved was also a glassblower. There was a lot of synchronicity.”

She starts with a drawing, and creates a Styrofoam positive, which is then surrounded by a frame and covered in the sodium silicate/sand mixture. For a life-sized sculpture, this is done on the floor of a seven-foot computerized annealer, and the sand mold can weigh up to 500 pounds. After being hardened, the mold is flipped and the Styrofoam removed, revealing the negative cavity. Using an air tool with a carbide bit, Gott carves negative images into the sand. She carbonizes the sand so the glass won’t stick to it and then adds colored frit ahead of the glass pour

Today, Gott creates sand-cast glass art utilizing sodium silicate and sand to form rigid molds. “People think of sand casting as pressing something into the sand and pulling it out, and this is really the reverse,” she clarified. “You’re thinking upside down and backwards.”
Magical Mythical Mers
GottGlass_April24_228(6x6) copy
GottGlassCastingMay23_10(8x10)

For 2023, we have chosen two artists, one of which is the German glass artist Wilfried Grootens whose career in the glass industry spans over 50 years. His creativity and mastery of glass techniques represent contemporary glass art’s bright future.  

Our second recipient is influential Czech artist Vladimira Klumpar. Klumpar creates both small and large-scale glass sculptures that organically bend and fold in ways one would not expect from glass as a medium. Though her work is abstract, she emphasizes that all of her pieces have a philosophical subtext. 

Anthony

James

Early Life

Master Glass Artist Anthony James, was born in 1974 in London, United Kingdom. From a young age, James showed a keen interest in art and creativity, which led him to pursue formal training at Central Saint Martins College of Art and Design. His early years were marked by experimentation and exploration, laying the foundation for his distinctive artistic style. Influenced by the dynamic cultural landscape of London, James developed a deep appreciation for the intersection of art, technology, and spirituality, themes that would later become central to his work. These formative experiences ignited his passion for glass as a medium, setting him on a path towards becoming one of the most innovative artists in the field.

John

kiley

RJA5620-8-bit-print-©-Russell-Johnson

Early Life

Born in Seattle, Washington, in 1973, Master Glass Artist, John Kiley, first started working with glass art a the age of 19.  He studied at The Pilchuck Glass School and the Penland School of Crafts, honing his craft and skills under the mentorship of Dale Chihuly from 1994 to 1998. Subsequently, Kiley collaborated with esteemed glass maestro Lino Tagliapietra for over fifteen years, gaining invaluable experience and insight into the art form. Throughout his career, Kiley has shared his expertise by teaching at prestigious institutions worldwide, including the National College of Art and Design in Ireland and the Bezalel Academy of Arts in Israel. His glass sculptures, characterized by an exploration of external and internal forms, exemplify his commitment to the exploration and experimentation of the medium, revealing its inherent beauty.

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